"Since the very beginning of our record label we have only produced and released music that corresponds with our own personal taste,” is the guiding principle of the German producer-DJ team Milk & Sugar. It is pretty much surprising they could become that much successful while having this admittedly non-commercial attitude. But first we should take a look on the early stages of Milk & Sugar.

Under the influence of the first Discohouse movement that swapped over from London in 1996, Michael “Milk” Kronenberger and Steffen “Sugar” Harning produced their first housemusic tracks. But it turned out to be impossible to get a contract with any significant record label. So they made a virtue out of necessity and decided to found “Milk & Sugar Recordings.”

Best known for his remix of Kelis’ Neptunes-produced track ‘Milkshake’. With support from the likes of Pete Tong and a Billboard Dance Chart number one in the US, Tom put himself firmly on the map. He’s also produced remixes of Mylo’s ‘Destroy Rock & Roll’, Moloko’s ‘Cannot Contain This’ and Studio B ‘ I See Girls’; as well as remixes of R Kelly ‘ Step In The Name Of Love ‘and JC Chasez ‘ All Day Long’. Tom now DJs worldwide and has upcoming tours of France, Spain, Australia, and Russia as well as a new Ministry of Sound residency alongside Mark Knight. He has done the World’s Greatest DJs show on Kiss FM and the Galaxy network; guest mixes for Radio 1 + hosts a monthly show on the Ministry Radio.

London, the leader in cosmopolitan music industry, has announced Clint Lee as the new edition to the team...“Clint Lee on the decks is like a landing from an unidentified location, not knowing his abilities, tactics, manoeuvres or reasons but just waiting in anticipation to blow you away through his hypnotising, electronic, phuture phunk soundz and breakz…”

Clint Lee’s response to how he deals with the pressures of a highly enigmatic position is well thought out..... “My role is varied. Essentially, I ensure the crowd enjoy a unique and ear pleasing experience. From coaxing the dance floor shy, entertaining the partygoers, enlightening the curious, satisfying the whims of the tired and weary, whilst constantly monitoring the energy levels of the crowd at all times.”